Curriculum Vitae
Digital Compositor
Ten years of Nuke on feature film and premium episodic, across forty-four productions. Freelance, available internationally.
Experience
VineCompositorRemote
Jan – Apr 2026
Photoreal compositing across multiple productions, working within fast-paced international pipelines on action-driven content.
The Blame · But When We Dance · The Rage
Advertising post-production studioAI ArtistRemote
Oct 2025 – Present
Designing and delivering AI-assisted workflows for advertising post-production using ComfyUI and modern diffusion models, integrated directly into compositing pipelines.
Commercial campaigns
VineCompositorRemote
Oct – Dec 2025
Compositing on a major action franchise sequel within an international VFX pipeline, contributing to photoreal CG integration and environment work.
Has Fallen 2 (2026)
PFXCompositorRemote
Jul – Oct 2025
Compositing across two international productions. On Cliffhanger, responsible for set extension, CG environment integration and shot finaling with a focus on photorealism.
Cliffhanger (2026) · Die Schule der magischen Tiere 4 (2025)
LineamentumLead CompositorRemote
Oct 2024 – Mar 2025
Led compositing across five Italian productions, overseeing shot delivery and pipeline consistency. Integrated ComfyUI for select sequences and digital matte painting creation.
Gangs of Milano (2025) · Your Host (2025) · Gormiti the New Era (2025) · Eva (2026) · Solo Mio (2026)
VineCompositorRemote
Mar – Oct 2024
Compositing on a major studio feature within an international pipeline, contributing to CG integration and environment work across a high volume of shots.
The Amateur (2025)
CinesiteCompositorRemote
Jul – Oct 2023
Photoreal compositing on a Disney+ premium episodic production, delivering CG integration, set extension and environment work to broadcast standard.
Nautilus (2024)
Rise FXCompositorRemote
Mar – Jul 2023
Compositing on a premium Amazon episodic production, working across CG-heavy sequences with environment integration and shot finaling.
Fallout (2024)
OutpostCompositorRemote
Jul 2022 – Mar 2023
Compositing across two large-scale productions for Apple TV+ and theatrical release, working on complex CG integration and environment work within a major international facility.
Silo (2023) · Fast & Furious 10 (2023)
ILP (Important Looking Pirates)CompositorTurin
Jan – Mar 2022
Compositing on the Disney+ Star Wars series, contributing to look development and photoreal CG integration on a high-profile streaming production.
Obi-Wan Kenobi (2022)
Alps StudiosLead CompositorTurin
Feb 2021 – Jun 2022
Lead Compositor across multiple international productions for BBC, major streaming platforms and theatrical release. Oversaw compositing across drama, sci-fi and action genres.
The Rig (2023) · Dampyr (2022) · Immensità (2022) · Persuasion (2022) · Profeti (2022) · Der Feind meines Feindes (2022) · The Man on the Road (2022) · Christmas Thieves (2021) · The Legend of the Christmas Witch 2 (2021) · SIC (2021)
Mr. XCompositorToronto
Jan – Jul 2020
Compositing on two Netflix action features within a high-paced international VFX pipeline, contributing to CG integration and environment work.
The Old Guard (2020) · Kate (2020)
EDI – Effetti Digitali ItalianiCompositorMilan
Jul – Oct 2020
Photoreal compositing on an Italian-produced Netflix feature, delivering environment sequences within a structured VFX pipeline.
Rose Island (2020)
Moving Picture Company (MPC)CompositorLondon
Oct – Dec 2019
Compositing on a major VFX-heavy studio feature at one of the world's leading visual effects facilities.
Cats (2019)
LightCut FilmCompositorRome
May – Oct 2019
Compositing across feature films, premium Italian episodic television and the official promotional spot for the 76th Venice Film Festival.
Il grande passo (2019) · Imma Tataranni sostituto procuratore (2019) · Paradise (2019) · Venice 76 promotional spot (2019)
EDI – Effetti Digitali ItalianiJunior CompositorMilan
Aug 2017 – Apr 2019
Built core compositing skills across a broad range of feature and episodic productions over two years, developing proficiency in photoreal CG integration and environment work.
Il primo Re (2019) · Il Campione (2019) · Zero Zero Zero (2019) · Il Cacciatore (2018) · The Legend of Red Hand (2018) · Ride (2018)
Additional creditsCompositor
2017 – 2019
Further compositing credits from the same years.
Martin Eden (2019) · Beyond the Mist (2018) · Falchi: Falcons Special Squad (2017)
Skills
Compositing
- Photoreal Compositing
- Deep Compositing
- CG Integration
- Environment Extensions
- Camera Projection
- Look Development
- Cleanup
- Relighting
- Shot Finaling
Software
- Nuke
- ComfyUI
- Mocha Pro
- Silhouette
- Photoshop
Working style
- Shot ownership, first pass to final
- Steady under deadline pressure, consistent on delivery
- Picks up unfamiliar tools and pipelines quickly
- Takes problems upstream to 3D rather than patching them in comp
- Clear, organised communication with supervisors
- Lead-level delivery and pipeline consistency
Languages
- Italian — Native
- English — Fluent
AI & Emerging Workflows
Diffusion-based relighting, inpainting and digital matte painting, built in ComfyUI with ControlNet and IP-Adapter conditioning, finished to drop straight into a comp rather than sit beside it.
Education
2012 – 2015
Civica Scuola di Cinema Luchino Visconti, Milan
Cinematography. Qualification titled Advanced Technician for Communication and Multimedia
2009 – 2012
Federico Fellini High School, Turin
High School Diploma — Technician for Shooting