Profile
Digital Compositor with ten years of professional experience in feature films and premium episodic productions, across studios in London, Berlin, Bournemouth, Toronto, Milan, Rome and Turin. Specialised in photoreal compositing, CG integration, environment work and complex shot finaling. Currently integrating AI-assisted workflows into production pipelines using ComfyUI and modern diffusion models.
Experience
VineCompositorRemote
Jan – Apr 2026
Photoreal compositing across multiple productions, working within fast-paced international pipelines on action-driven content.
The Blame · But When We Dance · The Rage
Advertising post-production studioAI ArtistRemote
Oct 2025 – Present
Designing and delivering AI-assisted workflows for advertising post-production using ComfyUI and modern diffusion models, integrated directly into compositing pipelines.
Commercial campaigns
VineCompositorRemote
Oct – Dec 2025
Compositing on a major action franchise sequel within an international VFX pipeline, contributing to photoreal CG integration and environment work.
Has Fallen 2 (2026)
PFXCompositorRemote
Jul – Oct 2025
Compositing across two international productions. On Cliffhunger, responsible for set extension, CG environment integration and shot finaling with a focus on photorealism.
Cliffhunger (2026) · Die Schule der magischen Tiere 4 (2025)
LineamentumLead CompositorRemote
Oct 2024 – Mar 2025
Led compositing across three Italian productions, overseeing shot delivery and pipeline consistency. Integrated ComfyUI for select sequences and digital matte painting creation.
Gangs of Milano (2025) · Your Host (2025) · Gormiti the New Era (2025)
VineCompositorRemote
Mar – Oct 2024
Compositing on a major studio feature within an international pipeline, contributing to CG integration and environment work across a high volume of shots.
The Amateur (2025)
CinesiteCompositorLondon
Jul – Oct 2023
Photoreal compositing on a Disney+ premium episodic production, delivering CG integration, set extension and environment work to broadcast standard.
Nautilus (2024)
Rise FXCompositorRemote
Mar – Jul 2023
Compositing on a premium Amazon episodic production, working across CG-heavy sequences with environment integration and shot finaling.
Fallout (2024)
OutpostCompositorRemote
Jul 2022 – Mar 2023
Compositing across two large-scale productions for Apple TV+ and theatrical release, working on complex CG integration and environment work within a major international facility.
Silo (2023) · Fast & Furious 10 (2023)
ILP (Important Looking Pirates)CompositorTurin
Jan – Mar 2022
Compositing on the Disney+ Star Wars series, contributing to look development and photoreal CG integration on a high-profile streaming production.
Obi-Wan Kenobi (2022)
Alps StudiosLead CompositorTurin
Feb 2021 – Jun 2022
Lead Compositor across multiple international productions for BBC, major streaming platforms and theatrical release. Oversaw compositing across drama, sci-fi and action genres.
The Rig (2023) · Dampyr (2022) · Immensità (2022) · Persuasion (2022) · Profeti (2022) · Der Feind meines Feindes (2022) · Christian Thieves (2021)
Mr. XCompositorToronto
Jan – Jul 2020
Compositing on two Netflix action features within a high-paced international VFX pipeline, contributing to CG integration and environment work.
The Old Guard (2020) · Kate (2020)
EDI – Effetti Digitali ItalianiCompositorMilan
Jul – Oct 2020
Photoreal compositing on an Italian-produced Netflix feature, delivering environment sequences within a structured VFX pipeline.
Rose Island (2020)
Moving Picture Company (MPC)CompositorLondon
Oct – Dec 2019
Compositing on a major VFX-heavy studio feature at one of the world's leading visual effects facilities.
Cats (2019)
LightCut FilmCompositorRome
May – Oct 2019
Compositing across feature films and premium Italian episodic television productions.
Il grande passo (2019) · Imma Tataranni sostituto procuratore (2019) · Paradise (2019)
EDI – Effetti Digitali ItalianiJunior CompositorMilan
Aug 2017 – Apr 2019
Built core compositing skills across a broad range of feature and episodic productions over two years, developing proficiency in photoreal CG integration and environment work.
Il primo Re (2019) · Il Campione (2019) · Zero Zero Zero (2019) · Il Cacciatore (2018) · The Legend of Red Hand (2018) · Ride (2018)
AI & Emerging Workflows
Proficient in ComfyUI-based diffusion pipelines, with hands-on experience in ControlNet, IP-Adapter and reference-based conditioning. AI-generated assets — relighting, inpainting, digital matte painting — integrated directly into professional VFX compositing pipelines.